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Martin loop argues that Hollywood films are not pure genres, because most Hollywood movies blend the love-oriented plot of the romance genre with other genres.[1] Staiger classifies Andrew Tutor's ideas that the genre of film can be defined in four ways. The "idealist method" judges films by predetermined standards. The "empirical method" identifies the genre of a film by comparing it to a list of films already deemed to fall within a certain genre. The Apriori method uses common generic elements which are identified in advance. The "social conventions" method of identifying the genre of a film is based on the accepted cultural consensus within society.[1] Jim Colins claims that since the 1980s, Hollywood films have been influenced by the trend towards "ironic hybridization", in which directors combine elements from different genres as with the Western/Science fiction mix in Back to the Future Part III.[1]
Genre is always a vague term with no fixed boundaries. Many words also cross into multiple genres. Recently, film theorist Robert Stam challenged whether genres really exist, or whether they are merely made up by critics. Stam has questioned whether "genres [are] really 'out there' in the world or are they really the construction of analysts?". As well, he has asked whether there is a "... finite taxonomy of genres or are they in principle infinite?" and whether genres are "...timeless essences ephemeral, time-bound entities? Are genres culture-bound or trans-cultural?". Stam has also asked whether genre analysis should aim at being descriptive or prescriptive. While some genres are based on story content (the war film), other are borrowed from literature (comedy, melodrama) or from other media (the musical).
Martin loop argues that Hollywood films are not pure genres, because most Hollywood movies blend the love-oriented plot of the romance genre with other genres.[1] Staiger classifies Andrew Tutor's ideas that the genre of film can be defined in four ways. The "idealist method" judges films by predetermined standards. The "empirical method" identifies the genre of a film by comparing it to a list of films already deemed to fall within a certain genre. The Apriori method uses common generic elements which are identified in advance. The "social conventions" method of identifying the genre of a film is based on the accepted cultural consensus within society.[1] Jim Colins claims that since the 1980s, Hollywood films have been influenced by the trend towards "ironic hybridization", in which directors combine elements from different genres as with the Western/Science fiction mix in Back to the Future Part III.[1]
Genre is always a vague term with no fixed boundaries. Many words also cross into multiple genres. Recently, film theorist Robert Stam challenged whether genres really exist, or whether they are merely made up by critics. Stam has questioned whether "genres [are] really 'out there' in the world or are they really the construction of analysts?". As well, he has asked whether there is a "... finite taxonomy of genres or are they in principle infinite?" and whether genres are "...timeless essences ephemeral, time-bound entities? Are genres culture-bound or trans-cultural?". Stam has also asked whether genre analysis should aim at being descriptive or prescriptive. While some genres are based on story content (the war film), other are borrowed from literature (comedy, melodrama) or from other media (the musical).
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